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Rebecca’s younger brother then gets carried away as he begins to see the creatures that made a hell out of Rebecca’s life. Rebecca’s mother, Sophie, experiences a collapse after seeing what is happening to her dear daughter. They are in the driver’s seat when the lights are off. The fears that used to make her blood turn to ice are still alive they are waiting patiently for the right moment to appear again and take her back to the cell of terror and despair.

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Rebecca feels trapped every time it gets dark, and she is a prisoner kept in a world of delusion, a world of soul-chilling terror that leaves her only at the crack of dawn. Leaving her mother’s house, she believes that she has managed to conquer her childhood fears, but it turns out to be just an illusion. The main female character, named Rebecca, has been experiencing strange hallucinations since her childhood. Everything seems to be ordinary in the light of day, but as the night falls, an unknown terror comes out. It's the rare horror movie that shows its audience respect and delivers a quality tricky treat.The movie tells us the story of a family that has to deal with the mysterious creatures generated by the power of horror. The movie even avoids the usual, annoying, fake 'look out for the sequel' ending.

They also behave logically - and even when they do go into the dark, scary basement, it's only to look for the fuse box. Helped by strong performances, especially from standouts Palmer and Bello, the characters are sharply drawn and sympathetic. They establish clear rules for their Diana and then run with every conceivable variation on their idea the movie is full of unexpected surprises. Sandberg - making his feature debut after some spooky short films - and co-written by veteran horror screenwriter Eric Heisserer, Lights Out starts by creating a great new movie monster. It's smart, clever, and very scary, and it doesn't bother with any of the lazy, cynical stuff associated with the horror genre today. This simple but effective horror movie seems to do everything exactly right. That occurrence of suicide, infrequent swearing (mostly the 's word'), non-traditional relationships, kissing, hinted at sexual activity, and fairly limited gore (quick visuals of disfigured corpses) are the mature instances to keep in mind with this movie. Spoiler alert: suicide is not only present but acts as the climax to the main story of the film when a woman is shown brandishing a gun before turning it on herself and discharging it while it is against the side of her head, however no gory visuals are present and the lack of lighting conceals details in the scene. It acts as one of the few character development points for said characters indicating the woman's avoidance of a committed relationship. A premarital relationship is a major component of two of the main characters' situation which is pushed on the viewer in a fairly drawn out scene about the woman not allowing the man to stay at her residence for the evening after an implied sexual encounter.

Be aware that some complex topics are intertwined with the story such as mental health, abandonment, estranged family member situations, and suicide. The character development rises just above completely flat, and very little can be said of cinematography beyond utilizing lighting as a plot device. That story, coupled with the jumpscares, keeps the movie above monotonous drivel. A semi-complex backstory is revealed, but explained thoroughly, so most children of at least twelve or thirteen should be able to follow. Lights Out relies mostly on jumpscares to frighten but is held together by a clear and cohesive story.